What I Don’t Do as a Photographer (and Why)

Every photographer works differently. Over time, I’ve learned that being clear about what I don’t do is just as important as explaining what I do.

These choices aren’t rules — they’re part of an approach shaped by observation, presence, and collaboration.

I don’t ask you to look at the camera

I’m not interested in directing attention toward me. Instead, I invite families to stay with each other.

When focus shifts away from the camera, interactions tend to soften. Gestures become quieter, movement more natural. That’s often where the most meaningful moments appear.

I don’t use flash or artificial lighting

I work with available light, both indoors and outdoors.

This keeps the environment calm and unobtrusive — especially for children — and allows sessions to unfold without interruption. Learning to work this way takes time, but it supports the kind of atmosphere I’m drawn to photograph.

I don’t rush sessions

Time matters. People — children especially — need space to settle, explore, and arrive in their own way.

Rather than working to a rigid structure, I let sessions breathe. Moments tend to surface when there’s no pressure to produce them.

I don’t reshape or correct reality in editing

My editing is restrained. I don’t alter bodies, smooth features, or change how people look.

I’ll remove temporary distractions — a small scratch or blemish — but I’m not interested in idealising or transforming what’s already there. The aim is for images to remain recognisable and honest over time.

I don’t pose children or ask for performances

Children don’t need instruction to be expressive. I don’t ask them to smile or behave in a certain way.

Instead, I follow their movement and energy, allowing their personalities to come through without interruption. The same applies to adults.

I don’t overbook my calendar

I keep my schedule intentionally light so I can show up present and attentive.

This allows me to work calmly, respond to what’s unfolding, and give each session the time it needs.

A final note

This way of working isn’t for everyone — and that’s okay.

It suits families who are open to slowing down, being present with one another, and allowing moments to unfold without control or performance. When that alignment is there, the work tends to speak for itself.